Rankin’s portrait of King Charles is a fascinating mixture of old and new
The portrait may seem unconventional – but it is in keeping with the spirit of Cecil Beaton and Lord Snowdon
The portrait may seem unconventional – but it is in keeping with the spirit of Cecil Beaton and Lord Snowdon
The British Museum's exhibition aims to reveal the country's ‘behind the headlines’ story – but makes little of the plight of the Rohingya
Islam Issa’s lively history of the city races through two millennia, taking us from Homer to 2011's Arab Spring, via Napoleon and EM Forster
Shifting family dynamics are the subject of the Fitzwilliam's latest – but it leaves you feeling this is art as information dissemination
Tate Modern's show invites rich comparisons between photography and painting, then becomes a baggy history of 20th- and 21st-century art
In the painting, commissioned by the UAE British Embassy, the monarch sits among a cacophonous collage of images and cartoonish drawings
The artist has long caused outrage, but now that the Fitzwilliam in Cambridge has removed one of his paintings, the debate has intensified
Intense and near-nauseating, Aleksandr Skorobogatov’s slim novel Russian Gothic is part-Gogol, part-Nabokov and thoroughly magnificent
The British Library has delved deep into its vaults for a captivating and even moving show about our visual and sonic records of fauna
Ranging from Byron's beloved Lyon to Hockney's Stanley and Boodgie, the Wallace Collection's new show is a smartly curated delight
The late monarch's love of her faithful companions comes touchingly alive in this small but satisfying collection of photographs
A £15 million investment has created a museum of two halves, led by a superb Egypt exhibition, but hampered by questionable curation
Whitechapel's riveting show of female painters deftly scotches abstract expressionism's reputation for being an all-male club
Brought out just once a year, but now in a bright new home, these works by the great Romantic artist have never looked better
Tetro was so skilled he even considered faking money, and several of his works ended up in King Charles III's estate Dumfries House
A new National Archives exhibition captures 700 years of treason in seismic documents, such as Guy Fawkes’s original 1605 signed confession