The Witches, National Theatre, review: Roald Dahl's classic is given a magical - if sanitised - makeover
The National Theatre's big Christmas production is charmingly exuberant - but oddly light on drama
The National Theatre's big Christmas production is charmingly exuberant - but oddly light on drama
Half a century after the actress found fame, she’s wowing the West End – and attending to unfinished business in the Tardis
From Dickens to The Specials, a new book suggests pupils study working-class culture. These are uplifting classics they should start with
After a run of disappointments at the Royal Court, Rory Mullarkey's gloriously funny play proves to be a surprisingly near-unalloyed delight
The former X Factor judge was a controversial casting choice but shows the shattering force of a sonic boom in this lush production
This staging of Miller's tragic tale is on the modish side, but the play, and Jonathan Slinger's terrific lead performance, carry it through
Reza's tale of two sets of parents trying and failing to resolve an incident involving their offspring falls flat in this new staging
Five years after the comedian’s death, his widow tells us why she’s making public the journals she promised to destroy
The comedian’s new ‘Porter scene’ is a mess, but this RSC production is saved by its dark atmosphere and Valene Kane’s turn as Lady Macbeth
Despite the mix of amateur and professional actors from across the UK, this carnivalesque, multi-authored production proved rather seamless
The trans comedian’s TV striptease shocked viewers – but there’s wisdom (and common sense) behind her X-rated wit
Our comedy critics review 56 of the funniest stand-up and sketch shows in Edinburgh, from Olga Koch to Troll
Our critics review the finest shows at the 2023 Fringe and International Festival, from musicals to immersive theatre
After having his Fringe show cancelled, the controversial comedian performed his set outside the Scottish parliament in Holyrood
The festival used to break taboos. But its censorship – sight unseen – of the ‘gender critical’ comic’s show is an affront to comedy
Alistair McGowan says young audiences 'have no idea' who most of his targets are. Is the shared culture they rely on a thing of the past?